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Lisa Kaplan: Then I had the idea that they should do those exquisite corpse drawings among the composers: If their pieces were strange imaginary animals, how would they represent it? Then from there I also told them that they should feel free to draw their own strange imaginary animal aside from just their part of the exquisite corpse drawing that they did.
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That gave us the title, strange imaginary animals. But the actual concept for the album was Steve ’s piece.
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Matthew Duvall: We do everything by consensus in our meetings and brainstorming sessions. So was that the idea going into this? Whose idea was it and just how did this happen to do the record this way? Somebody randomly picking it up who’s never heard of eighth blackbird, who has never heard of “new music,” who might not know what any of this stuff is, could be fooled into thinking that this is something else, that this is some kind of alt-rock record perhaps. Part of why I’m so worked up about this has nothing to do with the music that’s on it or how you played it, but the way you’ve packaged the whole thing. You’re preparing a concert performance of this same music tonight live, which is super exciting.
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Oteri: Instead of beginning with a typical kind of how-did-this-all-begin question, I’d love to plunge right in and talk about your new CD because I’m so excited about it. Timothy Weiss of the Oberlin Contemporary Music EnsembleĪt The Kitchen, New York, NY-January 11, 2007, 3:00 p.m.įrank J.International Contemporary Ensemble (ICE).And according to the director of the Oberlin Contemporary Music Ensemble Timothy Weiss, who has been a valuable mentor and a catalyst for both eighth blackbird and ICE, there’s a similar euphoria about new music among the next generation at Oberlin. Nestled in a small Ohio town 35 miles away from a major metropolis, Oberlin Conservatory is an oasis for alternative thinking about music and how it connects to other disciplines. So what is it about Oberlin? After talking with the members of each of these ensembles, I had to go there and see for myself. unit currently based in two major American cities that independently programs and produces most of its concerts, ICE encompasses and embraces everything from solos to chamber orchestra repertoire and has just released their first CD. major touring engagements, high-profile management, a significant discography, and tons of media exposure including national television.Ī younger group of Oberlin alumni, ICE (International Contemporary Ensemble) has also been shaking up the music scene in new and unusual ways. Adamantly a new-music-only ensemble as well as adamantly a non-fractalizable whole, eighth blackbird has nurtured a new body of concert repertoire for the 21st century and has attained a level of success that most ensembles of any kind would envy: e.g. Perhaps the most celebrated among recent Oberlin alumni is the new music sextet eighth blackbird, which has charted a unique career path in the field of classical chamber music performance for more than a decade. For years I’ve been noticing that whenever something interesting is going on new music-wise, there’s a good chance that someone involved in it studied at Oberlin. There are certain institutions that seem to turn up again and again in the CVs of denizens of the new music community.